As fantastic as the two were on their own (and as Gaye was in the company of other female singers like Mary Wells and Kim Weston), they seemed to bring something extra out of one another. An equally painful departure, and one that was perhaps more devastating considering she was only 24 at the time of her passing, was Gaye’s frequent duet partner Tammi Terrell. The death of Marvin Gaye in 1984 was a huge loss to the musical universe, a still-blazing light snuffed out well before its time. “You’re All I Need To Get By” (from 1968’s You’re All I Need) Just as he evolved with the tenor of the times, so, too, does his fans’ appreciation of his work shift and adjust as the years go by. That, again, is what makes Gaye one of the greats. And if you catch me next month, I might rank these differently or include songs that didn’t make the cut this time around. With such a vast and varied career, winnowing this list down to just 10 songs felt like a Herculean task at times. And his music continues to sell steadily as new generations are introduced to his back catalog. Singers like Michael Bublé and Robert Palmer have tried and failed to capture the gravitas that Gaye brought to even the lightest of pop songs. Rappers like Drake and Mos Def have dedicated songs to him. If there’s any positive to be found amid all the legal clamor regarding the similarities between “Got To Give It Up” and Robin Thicke’s “Blurred Lines,” it’s that it’s great to see Marvin Gaye’s music is still influencing today’s artists and producers. That we never got to see where he could have gone is one of pop culture’s greatest tragedies. You can imagine a trajectory that involves him working with Nile Rodgers or Quincy Jones, or finding a way to embrace even more synthetic sounds and electro-pop beats in ways that felt vibrant and original instead of cloying. Through it all, that magisterial tenor of his only got deeper and more heartfelt more sensual and gritty. Then in the early ’70s, he started writing his own material, deeply personal songs that explored social ills, the ups and downs of his personal life, and yes, plenty of songs about getting it on, all to the tune of sly funk and disco.īy the time of his death, he was showing signs of moving in the direction of quiet-storm soul and world music inspired pop with his final album, Midnight Love. When the mood turned psychedelic, so did Gaye, putting his own spin on Dion and Beatles tunes.
Gaye is one of the few Motown artists who came up through the ranks of that label’s star-making system and continued to evolve with the times up until his untimely death one day shy of his 45th birthday.Īfter some dabblings in doo-wop early on, Gaye positioned himself as a crooner of pop standards like “My Funny Valentine” and “How High The Moon,” before quickly embracing the new sound of R&B and soul. It feels easy to predict that fate because there’s precedent. While the other two artists mentioned above make it harder to make any absolute claims about their imagined futures, I think it’s a little easier to imagine that Gaye would have found a way to thrive even while his peers were pushed into commercial redundancy or started making music that felt beneath their abilities. Would Kurt Cobain have released more albums as zeitgeist-defining and powerful as Nevermind or In Utero? Would Biggie Smalls have achieved the same elder statesman status as Jay Z or RZA? Would Marvin Gaye have maintained his status as one of the preeminent voices in soul music even amid the rising tide of hip-hop and harder edged R&B? Restrictions and other terms apply.It can be hard to not engage in a mental game of “What if?” when it comes to artists who died well before their time. Plan automatically renews until cancelled. Offer good for 3 months after eligible device activation. One subscription per Family Sharing group.
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